宋代山水无疑是中国经典传统绘画艺术中一颗璀璨夺目,绚丽多彩的明珠。那静观玄览,澄怀味象的特殊造景法式折射着传统文化精神,宋人借助观物而心与道合,借助有形而神游寰宇。在山水画创作中,人们经常会遇到造景或构图的各个问题,会把“造景”或“构图”理解成简单的偏于一种为形式而生的场景组合,画面上总给人以叠床架屋,堆石积垒之感,深而不厚,高而不巍,画面为了追求形式,追求新颖,却早已丢失了山水画中该有的天地元气和铮铮铁骨。宋代山水画之所以能屹立于传统 The Song Dynasty landscape is undoubtedly a brilliant, colorful and bright pearl in the classical Chinese traditional painting art. That static Xuan Xi, Cheng Huai taste of the special scene of the French landscape reflects the spirit of traditional culture, the Song people with the concept of heart and Tao, with the help of physical and worldly. In landscape painting, people often encounter various problems of landscape or composition, and they will interpret “landscape ” or “composition ” as a simple preference for a form of scene combinations, on the screen The total gives people a stacked bed frame house, rock pile product base of the sense of depth rather than thick, high and not Wei, the picture in pursuit of new forms, the pursuit of novelty, but has long lost the landscape of the world of strength and clank iron bone. The reason why the landscape paintings of Song Dynasty stand in the tradition