中国当代绘画越来越进入一种后现代状况,传统的绘画语言(包括古典的与现代的)正在被消解,那些语言无法言说的东西正在被新的语言方式说出来。当一些人还在媒介、材料,甚至风格中游移的时候,另一些人却从具体的生命体验中,从生活的边缘中领悟到了生存的紧迫问题。他们面向社会言说,不是展示一种技能或风格,也不是客观地记录或再现,而是从个人的体验中引申出思 Chinese contemporary painting is getting more and more into a postmodern situation. The traditional drawing languages ​​(including the classical and the modern ones) are being eliminated. What can not be said in a language is being spoken in a new language. While some are still wandering through media, materials, and even genres, others have come to realize the pressing issue of existence from the brink of life from the concrete experiences of life. Instead of presenting a skill or style to objectively record or reproduce, they are socially oriented, but they derive from personal experience