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风格性技巧是在二胡演奏中表现特定音乐风格的特殊技巧手段,是应用技巧中不可缺少的重要组成部分。二胡的风格性演奏技巧是非常丰富的,比如,表现陕西音乐风格的“搂音”、广东音乐风格的“滑音”与“装饰回音”、江南丝竹音乐风格的“垫指滑音”、河南音乐风格的“滑揉”与“大滑弦”、蒙古族音乐风格的“三度打音”、藏族音乐风格的“装饰闪音”、朝鲜族音乐风格的“迟到揉弦”等等。它们都是表现上述地区和民族不同音乐风格的不同技巧手段,是不同的语言特点、审美习惯和不同社会音乐生活的产物,其共同的特点是能够简练和准确地体现出这些音乐风格,发挥二胡的丰富表现力。
Style-specific techniques are special techniques for expressing specific musical styles in erhu performance and are an indispensable part of applied skills. Erhu style of playing skills is very rich, for example, the performance of the Shaanxi music style “hug”, Guangdong music style “slippery sound” and “decorative echo”, Jiangnan style of music, “pad”, Henan music style “Slippery kneading” and “big slippery string”, Mongolian musical style “third hit tone”, Tibetan musical style “decorative flash”, Korean musical style “late strike rubbing string” and so on. They are all different skill means to show the different styles of music in these regions and ethnic groups. They are products of different language features, aesthetic habits and different social music lives. Their common feature is that they can concisely and accurately reflect these musical styles, The rich expressiveness.