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在弗朗西斯·培根的创作生涯中,以委拉斯开兹的《教皇英诺森十世》为基础,在20世纪50年代至60年代问创作的许多教皇绘画无疑是其作品中最优秀的一个主题——其中最具代表性的正是《根据委拉斯开兹的〈教皇英诺森十世肖像〉的习作》,除此之外,还有譬如《教皇Ⅰ-Ⅲ》、《肖像研究Ⅰ-Ⅷ》、《小幅肖像研究》、《对“尖叫”教皇的研究》等等。培根的教皇绘画囊括了许多他绘画中的核心主题,譬如作为教皇形象的重要面部特征——“尖叫的嘴”。培根在二战后的艺术创作正值存在主义潮流的兴起时期,因此“尖叫的嘴”
Many of Pope’s paintings that were created during the creative career of Francis Bacon, based on Velazquez’s “Pope Innocent X”, were asked from the 1950s to the 1960s undoubtedly to be the best of his works Theme - the most representative of which is exactly “according to Velazquez’s Pope Innocent X portrait”, in addition to, for example, “Pope I-III”, “portrait studies Ⅰ-Ⅷ ”,“ Study of Small Portraits ”,“ Screaming ”,“ Study of Pope ”and so on. Bacon’s Pope’s paintings include many of the central themes in his paintings, such as the important facial feature of Pope’s image - the “screaming mouth.” Bacon’s artistic creation after World War II was in the rise of an existentialist trend, so “screaming mouth”