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从李约热第一篇重要的作品《戈达尔活在我们心中》,读者可以看出影像在其小说里的重要地位,当然也可以说,戈达尔的政治理念,如对公平、正义和理想的社会的渴慕,都渗透进作家对底层人民的生存状态的关注中(本人已另有专文讨论,此不赘述)。在近作《美人风暴》中,作家又一次将影像世界作为切入点,在小说里,“美人风暴”被用来指称一台相机。相机当然不会自然客观地反映记录事物,作为工具它总是受特定的使用者的主观意图的控制,而“美人风暴”被赋予的功能就是多拍美人和花儿——这正是我们读到的故事的成因——一位
From the first important piece of work by Johnny Hottle, “Godard lives in our hearts,” the reader can see the important position of the imagery in his novels. Of course, Godard’s political concepts such as fairness, justice and ideals Of society’s desire, have infiltrated the writer’s concern for the living conditions of the people at the bottom (I have already discussed another article for the sake of this article and will not go into details here). In his recent book, The Beauty Storm, the writer takes the image world again as the starting point. In the novel, “Beauty Storm” is used to refer to a camera. The camera, of course, does not naturally and objectively reflect what is recorded, it is always controlled by the subjective intent of a particular user as a tool, and Beauty Storm is given the ability to take pictures of beautiful people and flowers- The reason we read the story - one