侯宝林是中国现代相声的一代宗师,这位中国相声第六代传人一生创作了《77号》《北京话》《醉酒》《新式马甲》等大量优秀的相声艺术作品。他的相声融强烈的幽默与辛辣的讽刺于一炉,既让观众笑声不断,又在笑声中给人以教益,俗中见雅,平而能奇。他逝世20年了,但喜欢相声的人一提起他,依然赞不绝口。杰出的人才往往是风雨泥泞逼出来的,侯宝林也不例外。他本是天津人,因为家中无力养活,1922年被舅舅带到北京,送给一户侯姓人家做养子,那年他只有5岁。他的养父是贝勒府的厨师,贝勒府名头很响,但其时已是民国时代,享用官府财政拨款的王公们远远不再像皇权时代那样富裕,对身边服务人员更加刻薄,养父收入很低,侯宝林只 Hou Baolin is the grand master of the Chinese modern comic generation. The sixth generation of Chinese crosstalk creator made lots of excellent crosstalk artworks such as “No.77”, “Beijing dialect”, “Drunken” and “New vest”. His comic dialogue with a strong sense of humor and spicy satire in a furnace, both to keep the audience laughter, but also in the laughter to give lessons to people, see the elegant, flat and can be odd. He has been dead for 20 years, but those who like talking cross talk still mention him. Outstanding talent is often forced out of muddy rain, Hou Baolin is no exception. He was a native of Tianjin who was unable to feed his family and was taken to Beijing by his uncle in 1922 and gave him a family name of Hou who was only 5 years old. His adoptive father is a Chef of Belle House. The name of Beller House is very loud, but at that time it was an era of the Republic of China. The princes who enjoyed the government’s financial appropriation were far from being as rich as those in the era of imperial power, Very low, Hou Baolin only