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我国艺术品市场的走势怎样?是不少人特别是收藏家们所关注的问题。马忠贤同志通过分析,认为当前正是收进艺术品的好时机。对此,欢迎读者发表自己的看法。 在中国美术史上,唐代的绘画是走向成熟的时期。唐代绘画艺术得到发展的一个原因,李万康同志在其文章中认为,唐代的绘画消费,决定了绘画生产的规模、形式和目的;决定了绘画生产要素及绘画产品分配与交换的规模和途径;决定了艺术市场的构成和发展程度。就绘画艺术发展自身而言,绘画消费的繁荣不仅促进了唐代绘画艺术的高度发展、而且对绘画创作、风格的演化以及理论的发展起决定的作用。 金宝森先生是清华大学美术学院(原中央工艺美术学院)陶瓷系的教授,《临摹与仿制——关于陶瓷的工艺鉴别》一文,乃其长期从事教学和创作的亲身体验中,从工艺角度阐述我国古代陶瓷与仿制品的区别。该文有益拓宽鉴定古陶瓷器物的思路。
What is the trend of the art market in our country? It is the concern of many people, especially the collectors. Through analysis, Comrade Ma Zhongxian thinks that it is a good time to accept works of art. In response, readers are welcome to express their views. In Chinese art history, the painting in the Tang Dynasty was a period of maturity. One of the reasons for the development of the art of painting in the Tang Dynasty was Comrade Li Wankang’s article that in his article, the consumption of paintings in the Tang dynasty decided the scale, form and purpose of painting production. It determined the scale and ways of the factors of production and the distribution and exchange of paintings ; Determines the composition and development of the art market. As far as the development of the art of painting itself is concerned, the prosperity of painting consumption not only promoted the high development of the painting art in the Tang Dynasty, but also played a decisive role in the creation of paintings, the evolution of style and the development of the theory. Mr. Jin Baosen is Professor of Ceramics Department of Academy of Fine Arts of Tsinghua University (formerly Central Academy of Arts and Crafts), a copy of “copy and imitation - Identification of ceramics”, is a long-term experience in teaching and creation experience, from the process point of view The difference between ancient Chinese ceramics and imitation products. This article is beneficial to broaden the identification of ancient ceramics ideas.