古琴一直是传统人文精神的文化象征。时间作为音乐本质性存在,它是依托于生命意识形式感性显现的某种思维语言。本文将琴乐语言的音高跃迁律动、音色聚合律动、速度节拍展衍律动视为三位一体的多维音时结构,其意义是从传统线性的音乐时间拓展至空间化的音乐时间,在这种音时的多维视域中,梳理琴人琴乐语言其内在风格的差异性与一致性以及群体化过程,并从“形意”关系探讨音时形态与审美情意之间的互唤关系是文本的关切所在。 Guqin has always been the cultural symbol of the traditional humanistic spirit. As an essential musical existence of time, time is a kind of thinking language that relies on the emotional consciousness of life. In this paper, the pianos of the piano music, the tonal movements of the pitch, the tonal movements of the timbre and the tachymetrical movements of the tachymetrical trilogy are trinocular multidimensional tonal structures, whose meaning extends from the traditional linear music time to the spatial music time. In this sound In the multidimensional visual field, the inner differences of the Qin musician’s Qin style and the grouping process are discussed, and the interaction between the modality and the aesthetic mood is discussed The text concerns.