这次来南充参加木偶艺术节,我在短短的两天里看了几场演出,感触非常深。当我坐在剧场里时,就有一种强烈的感受,我想到的是如何把木偶艺术这样一种让人快乐的艺术还给人民。在一段相当长的时期里,无论是政府还是社会公众,包括业内人士,在人们的视野里,木偶被看成是一门比较边缘的艺术。一方面,是从主流艺术的角度看,它并不占据重要的位置;在另一个方面,当民间艺术广阔的空间被挤压了以后,木偶的生存与发展的可能性就变得非常少。可是我们都意识到 This time I came to Nanchong Puppet Festival, I saw a few performances in just two days, feeling very deep. When I was sitting in the theater, there was a strong feeling that I was thinking of how to give people a happy art like puppet art. For a long period of time, puppets have been regarded as a comparatively marginal art in the people’s perspective, whether they be the government or the general public, including the insiders. On the one hand, it does not occupy an important position from the perspective of mainstream art. On the other hand, when the vast space for folk art is squeezed, the possibility of puppet survival and development becomes very small. But we all realized