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爱德华.阿比在他的小说《黑日》中依靠他在文艺复兴十四行诗中发现的爱情与丧失的文化模型,探讨丧失如何改变身份的问题。《黑日》要说明的是,虽然丧失造成的精神创伤会颠覆自我,但同时又通过让个体去探索先前以回忆和与多义的自然界的交往为根基的自我形成过程,重塑身份以及自我与外部世界的关系。自然在这部中篇小说中有着多种意义,因为荒野的意象在不断变换,有时作为主人公情感与记忆的比喻,有时则成为一个被主人公视为“异类”的有着多种作用形式的物质实体。尽管小说里并未出现一条传统愈合的轨迹,回忆往事并没有起到疗伤的作用,但当主人公自己意识到在沙漠的荒原里无法找到治疗方法时,就意味着一种以颠覆人文主义的人类中心论模式为基调的和解。
Edward Abby, in his novel The Black Day, explores the loss of how to change the identity by relying on the cultural model of love and loss he found in the Renaissance Sonnet. The Black Day states that although the trauma caused by the loss subverts itself, at the same time, by allowing the individual to explore the processes of self-formation, self-identity and self-rebuilding based on previous recalls and interactions with the polygamous nature Relationship with the outside world. Nature has many meanings in this novella, because the images of the wilderness are constantly changing, sometimes as the metaphor of emotion and memory of the protagonist, sometimes becoming a kind of material entity with multiple roles that the protagonist regards as “alien” . Although there is no trace of a traditional heal in the novel, recollection of the past does not serve as a healer, but when the protagonist himself realizes that no cure can be found in the desert’s wilderness, it implies a humanistic subversion of humanity The central pattern is the keynote of reconciliation.