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青藏高原的连臂舞人物形象,曾一度在原始艺术研究中引起高度的重视。然而,文化生态环境的改变使其逐渐淡出人们的视野,并少有系统性的深究者。因此,探讨青藏高原连臂舞人物形象文化兴盛的原由及其文化内涵,反思连臂舞人物形象,考察连臂舞人物形象的文化背景资料及文化变迁,无疑是深入认识青藏高原文化的有效环节,同时具有重要的时代价值和意义。
The image of the jibgidas of the Qinghai-Tibet Plateau has drawn great attention in the study of primitive art. However, the changes of the cultural environment make it gradually fade out of people’s perspective, and few systematic investigators. Therefore, it is undoubtedly an effective link to deeply understand the culture of the Qinghai-Tibet Plateau when it comes to exploring the reasons for the cultural prosperity of the figure-dancing figure in the hinterland of the Qinghai-Tibet Plateau and its cultural connotation, reflecting on the image of the figure-in-the-arms dancer, and examining the cultural background information and cultural changes of the figure- At the same time, it has important value and significance of the times.