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本文选择沈从文的《丈夫》与丁玲的《庆云里中的一间小房里》这两个看似无关却同样涉及“堕落—拯救”模式的文本,从女性主义的角度切入,分析在男性作家的经典叙述中,女性形象成为人性获救、文明冲突的表征,然而其中却并不包含女性真实的生命体验的传达;而在女性作家试验性的文本当中,那被忽视了的女性心理、经验却在一定程度上获得了一个展开的过程。
This article chooses Shen Congwen’s “husband” and Ding Ling’s “a small room in Qingyunli” which seemingly have nothing to do but also deal with the pattern of “fallen-salvation”, from the feminist point of view, analyze In the classic narration of male writers, the image of women has become a symbol of the salvation of humanity and the clash of civilizations. However, it does not contain the transmission of the true life experiences of women. In the experimental texts of female writers, the neglected female psychology , But to some extent experience gained a start-up process.