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1940年代后期以袁可嘉为代表的受原京派作家影响的平津地区年轻学人、作家展开的文学批评是战后重建中国文学的多种路向中最值得关注的一种路向,他们与左翼文学阵营展开的争论也是中国现代文学中最富有建设性文学价值的论战之一,瑞恰慈思想成为他们最为重要的理论源泉。袁可嘉等与瑞恰慈思想的主要对接点是文学的兼容性、调和性、开放性,这一对接在战后中国文学转型中具有特殊重要意义,显示出瑞恰慈的理论对中国现代文论影响的高度。
In the late 1940s, the literary criticism initiated by young scholars and writers in Pingjin area, represented by Yuan Kejia, represented by Yuan Kejia, was the most noteworthy way in the post-war rebuilding of Chinese literature. They started with the left-wing literary camp Is also one of the most controversial controversies in the value of the most constructive literature in modern Chinese literature. Rachael Ci thought becomes their most important source of theory. Yuan Kejia and other key points of contact with Ricciocci are literary compatibility, harmony and openness. This connection has a special significance in the post-war transformation of Chinese literature. It shows that Ricci’s theory is of great significance to Chinese modern literary theory The height of influence.