梅花是中国古代咏物文学中最常见的题材之一,但学界对梅花赋体的研究一直相对零散。从南朝至清,梅花赋吟咏的范围逐渐扩大,各种创作的方式方法日趋完备、丰富,并经历了由纯咏物到有所寄托、格式由简而繁以至模式化的演变轨迹。作为咏梅文学的重要分支,对其进行梳理研究,既可以在一定程度上总结咏物尤其是咏花赋体的创作模式,亦可以窥见各个时期审美风尚的演变,因而具有重要意义。 Plum blossom is one of the most common themes in ancient Chinese literary literature, but academic circles have always been relatively fragmented. From the Southern Dynasties to the Qing Dynasty, the scope of Plum Blossom Poetry gradually expanded. Various ways and means of creation were becoming more and more complete and rich, and experienced the evolution from simple to complex style. As an important branch of the literature of the plum plum, it is of great significance not only to summarize the creative mode of the chanting, especially of the aphrodite flower, to a certain degree, but also to reveal the evolution of the aesthetic styles in different periods.