京剧《红灯记》是一出革命的现代京剧。它用京剧的形式表现了革命的内容,同时又用革命的态度对待改编工作,不断提高剧本的思想性、加强剧本的革命性,从而进一步推动了京剧的革命化。这出戏写的是抗日战争时期,东北铁路工人李玉和一家三代,为护送一份密电码,向日本侵略者进行的英勇斗争。从斗争的性质来说,是一场民族斗争;从斗争的方式来说,是一场地下斗争,从三个主要人物的关系来说,是一家祖孙三代,因此在表现上有一定的局限性。可是,李玉和是一个共产党员,他家祖孙三代是在阶级斗争风浪中结成的异姓骨肉,而这份密电码又是北山游击队和北满党组织发生联系的纽带,这就给开拓戏剧表现的领域提供了条件。我们看到,京剧《红灯记》是充分利用了这些条件的。在横的方面,环绕着这份密电码,点出了敌方宪兵和狗腿子的如临大敌,关东军司命部和 Beijing Opera “Red Lantern” is a revolutionary modern Beijing Opera. It shows the content of the revolution in the form of Beijing Opera, at the same time, it treats the adaptation work with a revolutionary attitude, improves the ideology of the script continuously and strengthens the revolutionary of the script, thus further promoting the revolution of Beijing Opera. This play is written during the War of Resistance Against Japan, the northeast railway worker Li Yu and a generation of three, in order to escort a secret code, the heroic struggle against the Japanese invaders. In terms of the nature of the struggle, it is a national struggle; in the way of the struggle, it is an underground struggle. It is ancestor and grandchild of the three major characters and thus has some limitations in terms of performance Sex. However, Li Yuhe is a communist whose three generations of his ancestors and grandchildren were formed by the storm of class struggle. The secret code was also a link between the Beishan guerrillas and the Northern Manchu Party organization. This gave a pioneering drama The areas of performance provide the conditions. We can see that Peking Opera “Red Lantern” is making full use of these conditions. In the horizontal area, surrounded by the secret code, points out the immediate enemy of the enemy gendarmerie and dogleg, Kanto Division Division of Life and