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法兰克福学派的阿多诺以批判的眼光从大众媒介入手批判和否定了文化工业,认为电影等文化艺术商品有反启蒙的效果,形成了具有批判价值的文化工业理论,此理论是特殊的社会历史语境的产物。阿多诺透过文化工业产品的伪个性化的表象,辨认出标准化和商品化的特质,电影、广播、报纸等大众媒介,掠夺了观众的思考和想象的自由,造成这种现象的原因之一便是极权主义利用文化工业的意识形态功能。随着工业对文化艺术影响的加深,我们要反思如何在工业时代保持文化艺术原本的独特性和批判性。
Adorno from the Frankfurt school criticized and deny the culture industry from the mass media with a critical view. They thought that anti-enlightenment effects such as movies and other cultural and art goods formed a critical cultural industry theory, which is a special social history Contextual product. Adorno has identified the standardization and commercialization of mass media such as movies, radio, newspapers and other mass media through the pseudo-personal appearance of cultural and industrial products, which has robbed the audience of their freedom of thinking and imagination. This is the reason for this phenomenon One is the totalitarian use of the cultural industry’s ideological function. With the deepening influence of industry on culture and art, we must reflect on how to preserve the original uniqueness and criticalness of culture and art in the industrial age.