从古至今,画山水画的人大概都是喜欢山水的人。南朝刘宋时期画山水画的宗炳作《画山水序》就说:“余眷恋庐衡,……于是闲居理趣,拂觞鸣琴,披图幽对,坐究四荒,不违天励之丛,独应无人之野。”此之谓“畅神”。即其所称:“余复何为哉?畅神而已。神之所畅,孰有先焉?”而其同时期的另一山水画家王微在其《叙画》中的“望秋云,神飞扬;临春风,思浩荡。虽有金石之乐,珪璋之琛,岂能仿佛之哉?”这两段中国山水画论中最早的论述,把山水画的抒情功能描述得淋漓 Since ancient times, people who draw landscapes are probably like landscapes. Zong Bingzuo, who painted the landscape paintings of the Southern Song Dynasty during the Song Dynasty, said: “I love Lianlu Heng, ... So I used to live in the air, Cong, unique to unmanned wild. ”This is called“ God. ” That is what it says: “What is more than the complex of God? Smooth God only. God by the smooth, what is the first Yan?” And its other landscape painter Wang Wei in his “Narrative” in the “look Qiuyun, God Flying; the spring breeze, think mighty .Although the stone music, Chen Zhang Chen, how can it seem like a zai? ”The first two paragraphs of Chinese landscape theory exposition, the landscape painting lyrical function described dripping