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西晋文学对话在文人交游的氛围中展开。文人交游的产生是文人与权贵对话的产物,文学在很大程度上充当了他们对话的工具。在这种语境下产生的文学大都是为谋求政治利益而作的唱答诗,多以“轻绮”为艺术特征。“浅而绮”文学审美的形成,也与当时玄学的发展关系密切,“游仙”诗与“隐逸”诗文都不同程度地受到了玄学的影响,玄理使文学在与玄学的对话中上升到审美之境。刘勰所谓的“轻绮”、“浅而绮”不仅批评了西晋文学华美雕琢的文风,也批评了西晋文学玄虚平淡的思想。
The literary dialogue in the Western Jin Dynasty started in the atmosphere of communication between scholars. The emergence of literati exchanges is the product of the dialogue between the literati and the elite, and literature has, to a great extent, served as a tool for their dialogue. Most of the literature produced under this kind of context is a sing-song poem for the sake of seeking political interests, and many of them are characterized by art. The formation of literary aesthetics of “shallowness and gracefulness” was also closely related to the development of metaphysics at that time. The poems and poems of “Immortals” and “Seclusion” were influenced by Metaphysics to some extent. Metaphysical dialogue rose to the aesthetic level. Liu Xie’s so-called “Qing Qi” and “Shao Er Qi” not only criticized the style of the Western and Chinese literature, but also criticized the plain and plain thoughts of Western literature.