二、墨法白描人物画中所运用的墨法,实际上指的是墨色。关于墨色,古代有许多说法。譬如,有人称为五墨:焦、浓、淡、干、湿;有人将墨分为六彩:黑、白、干、湿、浓、淡。其实,从墨的含水量来讲,有干有湿;从含墨量来讲,便有浓有淡。从极干到极湿,变化是相当丰富的;从极浓到极淡,变化层次也相当多。干湿、浓淡结合起来运用,其效果变化无穷。我们将这千变万化的墨色,归纳成浓、淡、干、湿。焦墨是最干、最重、最浓的墨色,在一般情况下, Second, the ink method used in the white ink paintings Act, in fact refers to the ink color. There are many ancient saying about ink color. For example, some people call the five inks: coke, strong, light, dry and wet; someone divides the ink into six colors: black, white, dry, wet, rich and light. In fact, from the moisture content of ink, there are dry and wet; from the amount of ink, there is light. From extremely dry to very wet, the change is quite rich; from very thick to extremely light, the level of change is quite substantial. Wet and dry, combined with the use of shades, the effect of endless changes. We will be ever-changing ink, summarized as thick, light, dry and wet. Coke ink is the most dry, heaviest, most concentrated ink, in general,