人们倾向于这样的评判标准:画 家的作品乃是他内心永远的风 景。也可以说,它是人与世界携手 的产物,是在“物我两忘”精神高 度上的结果。其实,这是一种人与 自然相互理解,相互依托的情感。 只有循此延伸,才能把画家心灵深 处激荡着的情怀转换为形象与符 号定格。 People tend to judge the standard: the painter’s work is the landscape of his heart forever. It can also be said that it is a product of the hand-to-hand relationship between people and the world and a result of the spirit of “two things I forget”. In fact, this is a mutual understanding and mutual dependence between man and nature. Only by following this extension can we convert the emotions stirred up in the painter’s heart into images and symbols.