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作为言说创伤的重要手段,叙事小说可以通过对创伤记忆的摹仿重塑叙述方式,进行创伤主题的探索。布克奖获奖小说《微物之神》将叙事结构与双胞胎兄妹受创记忆进行并置,使用时空碎片化与重复叙述表现创伤记忆的断裂与延迟。同时,聚焦人物、全知叙述者的参与以及回顾性眼光的选择引导对文本伦理意义的重构,个人创伤上升到由后殖民主义、种姓制度以及阶级矛盾等因素复杂化的集体创伤,拷问逾越“爱的律法”的代价。
As an important means of narrating trauma, narrative novels can reconstruct narrative ways through the imitation of traumatic memory to explore the traumatic theme. Booker’s award-winning novel “The God of Ghosts” juxtaposes the narrative structure with the twin brother-sister memory, and uses fragmentation and repetition to describe the fracture and delay of the wounded memory. At the same time, the focus on the characters, the omniscient narrator’s participation and the retrospective choice of vision lead to the reconstruction of the ethical significance of the text, the personal trauma to the collective trauma complicated by factors such as post-colonialism, the caste system and class contradictions, “The Law of Love,” the price.