自然观从康德、谢林到黑格尔 ,完成了由外而内的过程 ,精神的主体性终于克服了自然的生疏感 ,把自然统摄于理念之中 ,成为理念自身的外化 ,也是理念运动必然扬弃的中间阶段。相应地 ,自然美的发生条件也逐渐更强调主体的因素。人的自由取代了自然真实成为衡量艺术价值的标准 ,从而导致了“模仿说”地位的动摇。艺术美高于自然美的论断和对主体性的关注体现出德国古典美学浓厚的人道主义色彩 The concept of nature from Kant and Xie Lin to Hegel completes the process from the outside to the inside. The spiritual subjectivity finally overcomes the natural sense of strangeness and takes the natural system into the idea, which becomes the externalization and the concept of the idea itself The middle stage of movement must be discarded. Correspondingly, the conditions of occurrence of natural beauty gradually emphasize the main factors. The fact that human freedom has replaced natural truth as a measure of artistic value has led to the wavering of the status of “parody”. The assertion that artistic beauty is superior to natural beauty and attention to subjectivity reflects the strong humanitarian character of German classical aesthetics