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朱熹的文论家形象一直晦而不彰。朱熹不仅创立了博大精深、光耀百代的朱子哲学,而且善识音律,精通文学,经常从一位情感充沛的创作者或一位掘深探微的鉴赏者的角度入手来解读文学,摇曳性灵、感发生命,揭示出了某些文学创作、鉴赏与批评领域的本质规律。《论语集注》中“文道一贯”的文学本体观、“文质彬彬”的文学创作观、“尽善”“尽美”的审美理想观、“玩味”“涵泳”的文学鉴赏观初步构成了相对完整的文学理论体系,让我们得以窥见朱熹理学家身份光环下的文论家面目,并搜索出传统经学诠释路径从经学到文学转向的端倪。
Zhu Xi’s literary theorist has been unscrupulous. Zhu Xi not only founded the Zhu Zi philosophy, which is broad and profound, glorified the 100th generation, but also has a good knowledge of temperament and proficiency in literature. From a perspective of an emotionally-rich creator or an appreciator with deep exploration, Zhu Xi interprets literature, swaying spirit and feeling Life, revealing some of the essential laws in the field of literary creation, appreciation and criticism. “The Analects of Confucius” in the “literary style” literary ontology concept, “gentle” literary creation view, “perfect ” “perfect ” aesthetic ideal, " The conception of literary appreciation of Han Yong initially formed a comparatively complete literary theory system, which allowed us to glimpse the literary masters in the aura of Zhu Xi’s philosopher’s identity and to search out the clues of the translation of traditional Confucian classics from classical learning to literature.