十一立体声录音在概述立体声录音之前,不妨把欧洲十一至十三世纪初的罗曼尼克和哥特式平面绘画艺术与非立体、缺乏空间深度感的单声道录音效果作一比较。它们在色彩和音色、平面绘画和单声道音响方面,有相似之处。在绘画艺术上,直到透视画法出现之后,才使以往的平面绘画有可能描绘和再现空间深度感。“透视”技术在音乐中的表现,即立体声录音技术;它能在两扬声器之间描绘出有透明 Eleven Stereo Recording Before summarizing stereophonic recordings, compare Romanian and Gothic graphic arts from the eleventh to the early thirteenth century in Europe with non-stereoscopic, lack of spatial depth of mono recordings. They have similarities in color and tone, flat drawing and mono sound. In the art of painting, it is not until after the perspective painting appears that it makes it possible to depict and reproduce the sense of depth of space in the past. “Perspective” technology in music performance, that stereo recording technology; it can be drawn between the two speakers with a transparent