论文部分内容阅读
奏鸣套曲终曲乐章承担总结概括作用使其内容相对丰富,常常形成套曲主要描述对象与次要描述对象构成对比。回旋原则兼具多次突出中心材料并与次要对象构成对比的特点,故常被应用于奏鸣套曲的末乐章。这一条原则在贝多芬的做品种体现较为充分,在贝多芬钢琴艺术作品中,回旋和奏鸣曲式在鸣奏曲中体现较多。本文主要分析了贝多芬钢琴艺术作品中所应用的回旋原则,对贝多芬创作过程中的继承与创新进行了仔细分析。
Sonata cover Songs play the final summary Summary of the role to make its content is relatively rich, often forming sets of songs describes the main object and the secondary description of objects in contrast. The principle of maneuver, which has the characteristics of repeatedly highlighting the center material and comparing with the secondary objects, is often applied to the final movement of the sonata. This principle is more fully demonstrated in Beethoven’s breed. In Beethoven’s piano works, the maneuver and sonata are reflected in the chimes. This article mainly analyzes the principle of maneuver used in Beethoven’s piano works, and carefully analyzes the inheritance and innovation in the process of Beethoven’s creation.