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作曲家的心灵好比一只空白的荧光屏,没有外界的信息输入,它自己是任何图像也显示不出来的。这种信息,最基本、最重要的部分只能来自对生活的观察。然而,音乐创作的任务并不是把所感知的生活对象机械地加以复原,因为艺术的观察是作曲家的心灵对生活真实的把握,是作曲家对客体的审美观照,具有美学和心理学的特定含义。作曲家所进行的艺术的观察,不仅是一种科学的认识,同时还伴随着主体对客体
The composer’s mind is like a blank fluorescent screen, no external information input, it is not any image itself does not show up. The most basic and important part of this information can only come from the observation of life. However, the task of music creation is not to mechanically restore the perceived objects of life, because the artistic observation is the composer’s heart’s true grasp of life, the composer’s aesthetic view of objects, and the aesthetic and psychological specific meaning. The artist’s observation of the composer is not only a scientific understanding, but also accompanied by the subject to the object