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李冰若在其汇笺的《花间集评注》中,以《栩庄漫记》的形式表述已见,尊重晚唐五代的历史语境,于反拨‘比兴’之说的同时,细绎士人复杂心绪,重视性情气格,并借用绘画概念‘设色’解词,凸显艳词‘清韵’;进而依据情致高下划分《花间集》的词风流别,追溯后世文人词自写性情的发端。《评注》自出版之后,部分观点虽屡被学者借鉴,但对《漫记》本身的研究尚显薄弱,重审这部‘花间词话’,意在挖掘、梳理其学术价值,同时也助益于当代的《花间集》研究。
Li Bingruo, in his “Annotation of Huajianji” in his remarks, expressed in the form of “Manchus of Xu Zhuang”, respected the historical context of the late Tang and the Five Dynasties, Yi Shi people complex mood, emphasis on temperament and borrowing painting concept ’color’ interpretation of the word, highlight the Yan words ’clear rhyme’; Write from the beginning of the character. Since the publication of the Commentary, some of its views have been borrowed by scholars for many times. However, the research on The Annotations of the Annotations itself is still rather weak. To reexamine the ’words of flowers’ is intended to dig out and sort out its academic value as well as help Research on Contemporary Flower Arrangements.