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关于意象,简明不列颠百科全书是这样解释的:“人脑对事物的空间形象和大小的信息所作的加工和描绘。”意象是抽象的,意象可以作为图像或物体的内心模拟物,是客观物象经过创作者独特情感活动所创造出来的一种艺术形象。中国绘画从来就以情景交融、虚实相生和变化无穷的诗意空间为意象表达的最高境界。故“意”是内在的抽象的心意,“象”是外在的具体的物象,“意”源于内心并借助于“象”来表达,“象”其实是“意”的寄托物。系统研究中国与西方的视觉发展史,不难发现西方视觉
With regard to imagery, the concise Encyclopedia of Britannica explains this: “The human mind processes and portrays the spatial image and size of things.” Imagery is abstract, imagery can be the inner simulacrum of an image or object, The objective image is an artistic image created by the creators’ unique emotional activities. Chinese painting has always been the highest level of image expression based on the combination of scenery, the reality of reality and the infinite change of poetic space. Therefore, “Yi” is an inner abstract mind, “Xiang” is an external concrete object, “Yi” comes from inside and is expressed by means of “Xiang” In fact, “meaning ” sustenance. Systematic study of the history of the visual development of China and the West is not difficult to find Western vision