论文部分内容阅读
1994年最震撼人心的大概是艺术品拍卖行的木槌声,一家家拍卖行的一个个近似天文数字的成交,使时下最渴望“创利”的中国人终于相信,艺术品——书画、瓷器、古玩等等,真的同股票、房地产一样,是可以保值、升值,甚至炒作、投机的。艺术品的三位一体——创作者、经营者、收藏者被市场供求的平衡与不平衡关系牵动着神经。中国的艺术品市场像一台笨重的、轰轰作响的老式机车,在获得金钱的“燃料”之后,徐徐开动了。
The most striking thing in 1994 was the mallet of the art auction house. A close approximation of astronomical figures by an auction house finally convinced the Chinese who are now most eager to “make profits.” Art - Painting and Calligraphy, Porcelain , Antiques, etc., really with the stock, real estate, it is possible to hedge, appreciation, and even speculation, speculation. Trinity of works of art - creators, managers, collectors by the market supply and demand balance and unbalanced relationship affects the nerves. China’s art market, like a bulky, roaring vintage locomotive, started slowly after getting “fuel” for money.