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欧仁·尤内斯库的剧本中大多运用了“反戏剧”的创作技巧。通过简化情节、贬低语言、淡化人物性格和巧用道具等手法构建了一幅幅荒诞不经的艺术图景,夸张地表现了战后西方社会人们空洞的生存现状和虚无的心理状态;然而,透过表面,读者仍然可以循迹到尤内斯库通过创作超越现实的戏剧内容营造出令人警醒的意味,并清晰地见证他试图将社会意识从虚无的状态中拉回以及重建严肃真实的社会生活的构想。
Most of the plays in Eugen Unescu use the creative technique of “anti-drama”. By simplifying the plot, belittling the language, destroying the character and using props and other tactics to build a picture of the absurd art scene, exaggerated to express the post-war Western people’s empty living conditions and nothingness state of mind; however, through On the surface, readers can still trace to Younescu to create a sense of alertness through the creation of transcendental theatrical content, and to witness clearly his attempt to pull back social consciousness from nothingness and to rebuild serious and real society Conception of life.