在这当代艺术的进程中,传统艺术作为一种“资源”被当代艺术家反复加以利用,以全新的姿态在当代视觉文化中获得新生。这些传统艺术资源包括古代文化传统、近现代文化传统、西方的文化传统。传统一词,现在已经被无限制地使用。我们是该对上起三皇五帝下至新中国的艺术资源都冠以传统的名号,还是将全球范围内艺术史的经典作品都称之为传统?笔者认为,艺术史的写作本身就有很强的民族、阶级、性别视角。我们今天专业院校教授的美术史基本是中国美术史加欧洲美术史,不得不说,这是由当下的国际格局决定的。对中国古 In this process of contemporary art, traditional art is repeatedly used as a “resource” by contemporary artists to gain a new life in contemporary visual culture with a new attitude. These traditional arts resources include ancient cultural traditions, modern cultural traditions and western cultural traditions. The term tradition has now been used indefinitely. Is it a tradition that we attribute the art resources from the Three Emperors to the New China down to the New China, or the classical works of art history all over the world? In my opinion, the writing of art history itself is very strong Ethnic, class and gender perspectives. The art history we teach today in professional colleges is basically the history of Chinese art history and European fine arts. I must say that this is determined by the current international situation. Ancient China