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明清文言小说中的梦幻度化故事是前代盛行的此类故事的末代余响,故事总体框架继承了原有的情节因素,但它并不是刻板的照搬,而是出现了新的特点。在其流变过程中,出现了两种变化倾向:其一是注重对现实的揭露;其二是更加注重人情的刻画。
The story of fantasy in the novels of Ming and Qing Dynasties is the last reverberation of such stories prevailing in the previous generation. The overall framework of the story inherits the original plot factors, but it is not a rigid copy but a new feature. There are two kinds of tendency of change in the process of its evolution: one is to expose the reality; the other is to pay more attention to the portrayal of humanity.