前些年,电影《手机》的火爆,顺便让“审美疲劳”一词风行了一把。其实,审美疲劳不仅出现在情感上,还体现在社会生活的方方面面,就拿文学语言来说,即便是原本颇具表现功能的词汇,由于长时间的使用也渐渐失去了它的表现能力,难以将审美感受细致入微地突现出来。比如“生龙活虎”这个成语,原是建立在比喻的基础上,不但形容出了人的精力旺盛,还使人形象地感受到龙和虎的声威。但在长期使用中,人们只记住了它的比喻义,那种独特的比 A few years ago, the movie “mobile” hot, by the way let “aesthetic fatigue ” a popular word. In fact, the aesthetic fatigue is not only reflected in emotion, but also reflected in all aspects of social life, take literary language, even the performance of the original vocabulary, due to prolonged use of its ability to gradually lose its performance, it is difficult to Aesthetic feelings nuanced to emerge. For example, the phrase “life and death” is based on the metaphor, not only describes the energy of people, but also make people feel the image of the dragon and the tiger’s reputation. But in long-term use, people just remember its metaphorical, that unique ratio