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前人在论诗文时,通常把其成就归功于作家的才情和山川的钟秀。如刘勰论《离骚》,就盛赞过“楚人（指屈原）之多才”和它的得力于“江山之助”（《文心雕龙》中《辨骚》、《物色》篇）。但宋人王铚在论晏几道词时,却说了一句与众不同的话:“叔原（晏几道字）妙在得于妇人。”（《默记》卷下）此话虽属戏言,却又“歪打正着”地说中了一个道理:晏几道以及其他相当一些唐宋词人的歌词创作,就在很大程度上是有赖和得益于妇人的,而这“妇人”,明眼人又一看即知是指歌妓。所以本文就想来探讨歌妓对词所产生的作用这一颇有兴味的问题。 首先请让我们来看歌妓在词的生成和传播过程中所发挥的作用。
When the predecessors talked about poetry, they usually owe their achievements to the writer’s talent and the mountains and mountains of Zhong Xiu. As Liu Xie on “Li Sao”, he praised the “Chu” (referring to Qu Yuan) and its ability to “country” (“Wen Xin Diao Long” in “discerning Sao”, “color” articles). However, when Wang Song of the Song Dynasty remembered the words of Yan, he said a different remark: “The original (Yan Zidao words) is wonderful in woman.” Although the remark is a joke, “Crooked” to put one truth in mind: Yan Jidao and other quite a number of Tang and Song Ci writers’ lyrics, to a large extent, depend on and benefit from the woman, and this “woman” Known is the song prostitutes. Therefore, this article wanted to explore the singer’s role in the production of this very interesting question. First, let us look at the role played by singers in the generation and dissemination of words.