中国画是我们中华民族灿烂文化的组成部分,经历了自身发展的辉煌岁月,它不仅被我国人民喜爱,同时也对世界艺术产生了深远的影响。它在漫长的发展过程中,经过自身的锤炼升华而日臻完善,所以在中国画教学中是多一些理性还是多一些感性就成为美术教学者应该思考的问题了。有专家和学者说绘画既是一门艺术又是一门科学,这种说法是很对的,但我想这是一门科学这种说法更多的符合西方式的基础性绘画教学。如:画一组静物素描,要注意画出来的每个物体的形状比较像而且越精确越好。不光如此,对于物体间的光线、透视也是要求很严格,哪里最亮,哪里次亮都要表现得很明确。当然,这样的作品会让人感觉到画得很逼真,也很符合科学逻辑。但是,相对中国画而言,却自然而然的少了几分情趣 Chinese painting is an integral part of our splendid culture of the Chinese nation and has experienced a glorious period of its own development. It is not only loved by our people, but also has a profound impact on the world art. In the long process of development, it has been perfected through its own refinement and refinement. Therefore, it is more or less rational or more sensual in Chinese painting teaching to become an issue that art teachers should think. Some experts and scholars say that painting is both an art and a science. This is correct, but I think this is a science that is more in line with Western teaching of basic painting. Such as: draw a group of still life sketch, pay attention to draw the shape of each object is more like and more accurate the better. Not only that, for the light between objects, perspective is also very strict requirements, where the brightest, where the second should be very clear performance. Of course, such works will make people feel very realistic and very logical. However, relative to the Chinese painting, but naturally a bit less fun