在当代文学新时期作家群里。有一支出生于60年代的青年作家队伍悄然崛起,并构成新时期文坛的“中流砥柱”,他们被称为是“新写实小说”。苏童当属这支异军突起的代表。这批青年作家,逃脱了饿饭,躲过了上山下乡,历次政治运动只赶上文化大革命,况且其时年岁尚小、不谙世事或初谙世事。作为中国人,这是个大幸运,作为中国作家,或许是大不幸。这就“逼”出了他们另一类本领——想象的能力,到历史的删页中寻觅发掘传统的能力,迅速移植接受20世纪文学各类经典文本或花样翻新本事的能力,得到的仅是破碎的为我们所需的采撷能九纵观苏童“枫杨树”系列,除少数作品,例如《离婚指南》不敢作肯定外,其大多数作品没有一件称得上他亲身的体验,但作品均想象得出乎意料地真实。这充分体现出了作家处理题材的非凡感悟力以及坚实的学院派文化功底,成为当今文坛锋芒崭露潜力深厚的小说家之一。 In the writers group in the new period of contemporary literature. There is a quiet rise of a team of young writers born in the 1960s and the “mainstay” of the literary world in the new era. They are called “new realistic novels.” Su Tong is the representative of this sudden emergence. These young writers escaped the hungry meal and escaped from going to the mountains to go to the countryside. The previous political campaigns were only catching up with the Cultural Revolution. Moreover, they are still young, inexperienced or well-versed in the world. As a Chinese, this is a great fortune, as a Chinese writer, perhaps unfortunate. This “forced” out of their ability to imagine another kind of ability to find the history page to explore traditional ability to quickly transplant all kinds of classic texts of 20th century literature or the ability to recapitulate the ability to get only Is broken for the pick we need to look at the nine Su Tong “Maple Poplar” series, with the exception of a few works, such as “divorce guide” can not be sure, most of his works are not one can be called his personal experience , But the works are imagined unexpectedly true. This fully embodies the writer’s extraordinary perception of the subject matter and a solid academic culture, become today’s literary world edge one of the novel potential novelty.