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可以毫不夸张地说,当下是一个同质化的诗歌时代,诗坛上流行的大量诗歌文本在构思视角、想象路径乃至语汇风格方面,都可谓惊人地相似,辨识度越来越低,泛滥不已的口水随时都可能把诗和诗人淹没。在如此令人倍感倦怠的艺术时节,我读到了著名的中年诗人杜立明鲜活、稳健、又颇具写作难度的诗集《我的诗经》(百花文艺出版社,2016年11月出版),愈发坚信诗这种极其个人化的精神作业,就是为小众的艺术,白居易那种老妪能解的所谓的
It is no exaggeration to say that at present there is a homogenized era of poetry in which poetic texts popular in the poetic world are strikingly similar in ideological perspectives, imaginary paths, and even in terms of language style. The saliva may overwhelm poetry and poets at any time. In such a fascinating artistic period, I read the poem “My Book of Songs” (Baihua Literature and Art Publishing House, November 2016), a collection of poems by Du Liming, a famous middle-aged poet who is fresh, steady and quite difficult to write. Faithful poetry This extremely personal spiritual work, is the art of niche, the kind of old Bai can understand the so-called