采用西方原型理论解读1949-1976新中国文艺作品中的女性形象,发现在该时期女性形象塑造中存在中国远古女娲原型:她们被赋予了代表丰收、繁衍的文化含义;在人物塑造上按照女英雄的人物模式进行;她们身上都有造福集体主义事业的无私情怀;以及作为压迫阶级代言人所表现的悲苦精神。女娲原型在该时期文艺中再现的原因与社会环境、延安文艺的影响、艺术家的民间文化背景等多方面密切相关。 Using the theory of western prototype to interpret the female images in the new Chinese literary works of 1949-1976, we find that there are ancient Chinese women’s armband prototypes in shaping female images during this period: they are endowed with the cultural meanings of harvesting and reproduction; Heroes and heroines; all have selfless feelings of happiness in the cause of collectivism; and the tragic spirit manifested as the spokesman for the oppressor class. The reason why Nuwa prototype reappeared in literature and art during this period was closely related to the social environment, the influence of Yan’an literature and art and the folk culture background of the artist.