贾岩鸿先生的画笔法和墨气浑然天成,总有深邃的思想内涵熠熠生辉。画家借助笔墨立意为象,超越具体物象的摹拟再现,以对民族、对社会、对时代、对自然的深刻体察为基石,将自己的意识与精神充分融入其中,作品能读出积极向上与高远的立意和气韵。自古以来,大量描写山川树木、花卉、禽鸟的诗歌和绘画,构成了人们精神生活和文化生活的重要组成。在历代画家笔下,花鸟画不仅表现花鸟之美,更重要的是将其作为抒发和表达人的思想的重要媒介。展读贾岩鸿的花鸟画作品,作者巧妙地运用了比、兴、喻、借等手法,去表现自然和人的情感之间关系的推移,通过富于情感和生命的花鸟形 Mr. Jia Yanhong’s brushwork and ink completely natural, there are always brilliant ideas shine. With the help of the idea of ​​ink and wash, the painter surpasses the imitation and reproduction of specific objects and takes the profound insight into the nation, the society, the times and nature as its cornerstone and fully incorporates his own consciousness and spirit into his works. The works can read positive and lofty Conception and charm. Since ancient times, a large number of poems and paintings depicting mountains, trees, flowers, and birds have formed an important part of people’s spiritual life and cultural life. In the works of ancient painters, flower and bird paintings not only show the beauty of flowers and birds, but more importantly, they use it as an important medium for expressing and expressing human thoughts. To read the works of Jia Yanhong’s flower and bird paintings, the author cleverly applied the techniques of comparison, rejuvenation, metaphor and borrowing to show the relationship between nature and human emotions. Through the flower-bird-shaped