何谓“原创”?我的直白的、不拐弯的解读是新题新作。也就是说,舞台演出的剧目,不是改编,不是移植,不是挪用,不是被“别人嚼过的馍”,不是“二茬谷子”,而是能在戏剧画廊中,为它增添新的故事,新的人物,新的舞台面貌。如果在当代的舞台上,让“原创”缺席,这是一种创作枯萎的现象,也可以视为当代戏剧艺术家的失职,会让当代戏剧留下了不可弥补的空白,使当代舞台出现人为的倾斜,人为的颠覆。 What is “original”? My straightforward, non-turning interpretation is a new topic. In other words, the repertoire of stage performances is not adapted, not transplanted, not appropriated, not “cheated by others,” not by “two rift millet” but by adding new stories to the drama gallery, New characters, a new stage appearance. If the absence of “original” on the contemporary stage is a phenomenon of withered creation, it can also be regarded as a failure of contemporary drama artists, leaving the irreplaceable gap in contemporary drama and making the contemporary arena artificially Tilt, artificial subversion.