论文部分内容阅读
【引言】藏族插箭节仪式音乐在其发展的历史长河中始终保持藏民族最原始的民族情感和民俗生活,彰显着藏民族的民族文化精髓。目前插箭节仪式音乐的发展逐渐萎缩和趋向简单化,藏民族民众生活价值观念的转变使这种仪式音乐后继无人。本文试图在新媒体形态不断更新的背景下探索藏族插箭节仪式音乐保护与传承的方式和手段。一、插箭节仪式音乐插箭节是藏族民众每年定期向地方保护神献供箭
【Introduction】 Tibetan Interlude Festival ritual music has always maintained the most primitive ethnic feelings and folk life of the Tibetan people and demonstrated the essence of Tibetan nationality’s national culture in the long history of its development. At present, the development of interlude ritual music gradually shrinks and tends to be simplified. The change of values of the Tibetan people makes the ritual music unmanned. This paper tries to explore the ways and means of music protection and inheritance of Tibetan Intergraph Festival under the background of new media. First, Intergraph Festival ritual Intergraph Festival is a Tibetan people every year to the local protection of God dedicated to the arrow