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自1987年在上海举办的首届中国油画展至今已有七个年头了,可谓长路漫漫。您作为本届油画展的评委感受一定很多,所以很想听听您对该展的评选工作以及当前中国油画现状的看法。两届油画展之间相隔了七年,这在历史的长河中可能只是一瞬,而对于这个时代的人来说则是一个不算短的历程了。在这期间,国内画坛发生了很大的变化,相继举办了一系列全国性的展览,如全国第七届美展,两届中国油画年展以及油画双年展等。中国油画的整体水平有了相当大的提高,艺术多元化的局面基本形成,市场机制的建立为画家们提供了新的可能,多数画家们的心态开始由浮躁转向平稳,已能从容地面对商品大潮与周围
Since the first Chinese painting exhibition held in Shanghai in 1987, it has been seven years since it was a long journey. As a judge of this exhibition, you feel a lot, so I’d love to hear your comment on the selection of the exhibition and the current status of Chinese oil painting. Seven years between the two oil painting exhibitions, this may be only a brief moment in the history, but it is not a short course for those in this age. During this period, great changes took place in the field of Chinese painting, and a series of national exhibitions were successively held, such as the 7th National Art Exhibition, the 2-year Chinese Oil Painting Exhibition, and the Biennial of Oil Painting. The overall level of Chinese oil painting has been greatly improved. The diversification of art has basically taken shape. The establishment of a market mechanism has provided new possibilities for painters. Most painters’ mentality has shifted from impetuousness to calmness and has been able to calmly face Tide and around the goods