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在20世纪80年代中后期,王安忆的短篇创作将视角转向上海弄堂的寻常巷陌间,着重于描绘充满了世俗味的生活画卷。她用平等亲和的姿态,细腻的笔触捕捉市民日常生活中的微小细节,通过对日常生活的再现向我们展现了那个时代市民们的生活百态。在描写市民们的生活时,她有意将其美好的部分精心提炼了出来,凸显出寻常巷陌间那些不为人所注意的脚踏实地的内在美。本文结合王安忆20世纪80年代中后期短篇创作中的一些代表性作品,窥探其短篇日常叙事的独特风格。
In the mid-to-late 1980s, Wang Anyi’s short creations diverted his perspective to the usual alleyways in Shanghai’s alley, focusing on portraying a life full of secular tastes. She used the gesture of equality and affinity to capture the delicate details of the daily life of citizens and showed the life of citizens in that era through the reproduction of daily life. In describing the lives of the citizens, she deliberately refined her beautiful part out to highlight the unnoticed inner beauty of the ordinary. This article combines the representative works of Wang Anyi’s short creations in the late 1980s to explore the unique style of his short narrative.