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20世纪的中国画坛大师辈出,张大德则最为传奇,他既不同于黄宾虹、齐白石的传统出新,又不同于林风眠、徐悲鸿的中西融合。张大千早年负笈东洋习绘画与染织,旋即回国,浸淫石涛、八大及宋元名家多年;继后西行,孤身深入戈壁大漠,遍临敦煌壁画;天命之年后环游世界,终成一代泼彩大师。由于战乱流离,张大千早期作品多散佚各地。20世纪60年代,吉林省博物院独具慧眼,收藏了大量张大千绘画作品,为研究张大千早期绘画提供了大量的基础材料。有鉴于此,本刊推出“吉林者博物院藏张大千绘画”专题,以飨学界。
In the 20th century, Chinese masters of painting came forth in large numbers, and Zhang Da-te was the most legendary. He was different from the traditional new ones of Huang Bin-hong and Qi Baishi, and also differed from the fusion of Chinese and western styles of Lin Fengmian and Xu Beihong. In the early years of his career, Zhang Daqian was responsible for drawing painting and dyeing and knitting, immediately returned to China, steeped in Shi Tao, the Great Hall of the Eight and famous artists of the Song and Yuan Dynasties for many years. Afterwards, he went westward to visit the desert in Gobi and traveled to Dunhuang frescoes alone. Master splashed color. As a result of the war, Zhang Daqian’s early works scattered around the world. In the 1960s, Jilin Provincial Museum was uniquely discerning and possessing a large quantity of Zhang Daqian’s paintings, providing a great deal of basic material for the study of Zhang Daqian’s early paintings. In view of this, the publication of “Jilin Museum hidden Zhang Daqian painting ” topic, to 飨 academic circles.