论文部分内容阅读
常伦是明代中期一位极富才华和个性的文人。在他短暂的一生中,为我们留下了散曲小令169首,套曲9套。归纳分析其北散曲小令用韵可知:在其111首北小令作品中,押韵方式共用8种,有13类21首超越元代周德清《中原音韵》的部界,另有隔句用同韵者2首,用韵较宽。与同时代散曲家比,常伦北散曲小令用韵的特点有其普遍性。
Chang-lun is a very talented and individual writer in the mid Ming Dynasty. In his brief life, he left us a total of 169 Xiao Songs and 9 Song sets. To sum up the analysis of the North Sanqu songs, we can see that there are 8 kinds of rhyme patterns in 111 Northern Xiaogong works, of which 13 categories outperform the Zhouzhong’s “Zhongyuan rhyme” in the Yuan Dynasty, With the first two rhyme, rhyme wider. Compared with the contemporary diasporas, the characteristics of the trifles of the Changlensi diaspora are versatile.