读着李默然的《戏剧人生》,仿佛看到曾赋予民族英雄邓世昌的艺术形象以情感、思想、魂魄的表演大师李默然正在天庭之上用他那在《报春花》中注视过问题成山、百废待兴的工厂的目光,注视着今天我们亟待振兴的中国剧坛。自话剧传入中国,我们在几十年时间里就完成了对西方戏剧品格的认识,完成了话剧在中国的“本土化”的历史任 Reading Li Moran’s The Life of Drama, as if to see the great acting artist who had given the artistic image of Deng Shichang’s national hero Emotion, thoughts, and soul, is using heaven above his eyes in the Primula, Hundreds of waste to be the factory’s eyes, watching today we urgently rejuvenated the Chinese theater. Since the introduction of the drama into China, we have completed the understanding of the western drama style for decades and completed the history of drama’s “localization” in China