蔡泓杰朋友所刻“真水无香”印,整体风格追求厚重大气。用刀以冲刀为主,起刀、收刀处求方求整不著痕迹。其线条光洁、平稳、厚重。印面布局“白”密而“红”疏,求“分朱布白”真味。这些优点是值得肯定的。这些说明作者从印稿、用刀到印面形式、视觉效果的用心良苦。 Cai Hongjie friends carved “true water without incense” India, the overall style of pursuit of heavy atmosphere. Punch with a knife to the knife-based, from the knife, the knife at the begging for the whole party without a trace. The lines are smooth, steady and heavy. Indian layout “white” dense and “red” sparse, seeking “sub-Zhu Bai white” true taste. These advantages are worthy of recognition. These instructions from the manuscript, the knife to the printed form, good visual effects.