“陌生化”的理论,源自俄国形式主义评论家什克洛夫斯基。该理论认为,文学艺术创作应该在内容与形式上违反人们习见的常情、常理、常事,同时在艺术上超越常境,才能给读者以感官的刺激或情感的震动,从而走向熟悉。合理利用“陌生化”理论可以提高阅读主体对阅读的体验感受,以陌生和新奇的个性阅读心态达到与文本内涵、作家情感、人物形象以及创作原意一致性的共鸣,促进阅读主体对文本进行探索性、创造性阅读,从而 “Defamiliarization ” theory, from the Russian formalist critic Shklovsky. The theory holds that literary and artistic creations should violate people’s commonplace, common sense and commonplace in content and form, and transcend standing in art at the same time. Only in this way can we sensory stimuli or emotional vibrations of readers so as to become familiar with them. Reasonable use of “unfamiliar ” theory can improve the reader experience of reading experience, unfamiliar and novel individual reading psychology to achieve with the content of the text, the writer’s emotions, characters and creative consistency of consistency, and promote the reading of the main text To exploratory, creative reading, thus