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威尼斯双年展一直是艺术界的权力制高点;去拆解威尼斯神话是为打破文化上的“一神论”;《心·跳》展的策划始末和在境外的矛盾协调;回国后的《心·跳—北京》展在策划理念和作品实施上的转换;艺术对于人、对于时代的意义。
The Venice Biennale has always been the highest point of power in the art world; the dismantling of the Venice mythology is aimed at breaking the cultural “monotheism”; the planning of the exhibition “Heart and Jump” is coordinated with the contradictions outside China; “Heart jump - Beijing” exhibition in the planning concept and the implementation of the work on the conversion; art for people, the significance of the times.