大约是因为处于“为赋新词强说愁”的年纪,很长时间我都偏好婉约凄清的文字,逐渐习惯并喜欢这种渺茫的痛感,似乎这样我们可以更清醒地看待人生的多变与缺憾。可就在邂逅林语堂先生所著的《苏东坡传》后,我蓦然发现自己其实更钟爱也更契合于东坡那快乐明亮的笑容,那慈仁纯真的心境,那浑然天成的文字,那卓然于世的风骨。就是这样一位男子,长发不羁地挽起,戴着一顶特别高、顶上窄而微向前倾的帽子,竹杖芒鞋粗布衣衫却难掩飘逸,神游于高山流水,谈笑于舞榭歌台,不风流亦不拘谨,不放 It’s about because I was in a position of “worrying about new words”. For a long time, I preferred graceful and desolate words. I became accustomed to and loved the slim pain. It seems that we can have a more sober view of life Change and shortcomings. But in the encounter with Mr. Lin Yutang’s “Su Dongpo Biography”, I suddenly found myself in fact more love and more in line with the happy and bright smile on the east slope, that kind heart pure innocence, that natural text, that Zoran in The strength of the world. It is such a man, long hair uninhibitedly rolled up, wearing a particularly high, the top of the narrow and slightly forward leaning hat, bamboo sticks Maui coarse clothes unobtrusively, fugue in the mountains and rivers, laughing and dancing Terrace song Taiwan, no romantic nor cautious, hold